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    <title>LCCHP Upcoming Events Calendar</title>
    <link>http://www.culturalheritagelaw.org/events</link>
    <description>LCCHP upcoming events</description>
    <dc:creator>LCCHP</dc:creator>
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    <pubDate>Wed, 19 Jun 2013 01:42:45 GMT</pubDate>
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      <pubDate>Thu, 27 Jun 2013 04:00:00 GMT</pubDate>
      <title>Call for Papers: European Conference on African Studies' Panel on the African Art Trade, (27 Jun 2013)</title>
      <description>“Call for papers”, European Conference on African Studies (Lisbon, June 27-29 2013).&lt;br&gt;
&amp;nbsp;&lt;br&gt;
Panel 153: “The entrails of 'beautiful' and 'proper' cultural heritage: diggers, middlemen and white collars in the grey trajectories of the transnational African art trade”&lt;br&gt;
&amp;nbsp;&lt;br&gt;
Convenor&lt;br&gt;
Cristiana Panella (Royal Museum for Central Africa, Tervuren)&lt;br&gt;
&amp;nbsp;&lt;br&gt;
Short Abstract&lt;br&gt;
This panel focuses on the interfaces legal/illegal imbricated into the transnational African art trade. It is oriented on the social organization of rural links of the chain, on new spheres of aesthetic and economic value, and on the role of the illicit art trade in national integration policies.&lt;br&gt;
&amp;nbsp;&lt;br&gt;
Long Abstract&lt;br&gt;
Despite the growing number of publications on cultural heritage and illegal art trade, literature on illegal African art trade is problematically devoid of anthropologically informed approaches and usually take a binary approach: nasty dealers vs. principled civil servants of cultural heritage. Research on intersubjectivities imbricated in the transnational trade chain are scarce; in particular, in-depth research on African rural networks of the clandestine trade in African art (first-hand data on rural outflowing and 'legal/illegal' interfaces) is, with a few exceptions, almost absent. Consequently the aim of this panel is threefold. First, it aims to highlight social organization of African rural links and its legal/illegal interfaces with African official actors. Second, it explores new trajectories of the international African art market and new spheres of esthetical and economic value raised in recent years on the wave of the global economic crisis and arrival of new profiles of traders and market trajectories. Third, it raises the links between 'unprovenanced objects' and national integration and international visibility policies. By reconstructing the trade chain as a whole, it is possible to contextualize hidden interdependence between the creation of 'beautiful' and 'proper' national cultural heritages and clandestine networks underlying it.&lt;br&gt;
&amp;nbsp;&lt;br&gt;
Panelists are invited to give priority to the following domains: social organization of rural and local networks (division of tasks, reciprocity and hierarchy, management of money and knowledge), transnational mobility, market strategies, legal/illegal interfaces in circulation of objects, copy markets, spheres of value, official discourses on cultural heritage, methodological approaches to illegal art trade.&lt;br&gt;
&amp;nbsp;&lt;br&gt;
This panel abstract is available via the following link:&lt;br&gt;
&amp;nbsp;&lt;br&gt;
http://www.nomadit.co.uk/ecas/ecas2013/panels.php5?PanelID=2025&lt;br&gt;
&amp;nbsp;&lt;br&gt;
&amp;nbsp;&lt;br&gt;
&amp;nbsp;&lt;br&gt;
The CFP closes January 16 2013.</description>
      <link>http://www.culturalheritagelaw.org/events?eventId=609982&amp;EventViewMode=EventDetails</link>
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      <pubDate>Thu, 14 Nov 2013 13:00:00 GMT</pubDate>
      <title>Restitution and Repatriation:  The Return of Cultural Objects (14 Nov 2013)</title>
      <description>The DePaul University College of Law Center for Art, Museum &amp;amp; Cultural Heritage Law fall 2013 symposium will address the underlying legal, ethical, and moral reasons and policies behind the&amp;nbsp;return of cultural objects.&lt;br&gt;
&lt;br&gt;
The symposium will bring together lawyers, museum professionals, representatives of indigenous communities, and other scholars and experts in the field to examine the repatriation of cultural artifacts. Participants will discuss the repatriation of cultural objects appropriated in the more distant past whose restitution some view as outside the scope of existing law, but others view as a matter of restitutionary justice. They also will address the repatriation of artifacts looted in recent times whose removal is thought to cause contemporary damage to the cultural heritage of communities and nations and to the historical and archaeological record.&lt;br&gt;
&lt;br&gt;
DePaul University College of Law is an accredited Illinois MCLE provider. This event has been approved for up to 6 hours of CLE credit, including 1.5 hours of ethics credit (pending Ethics Board approval).&lt;br&gt;
&lt;br&gt;
&lt;b&gt;For more information and to register, please visit the&amp;nbsp;&lt;a href="http://centerforartmuseumculturalheritagelaw.cmail5.com/t/y-l-jupkud-yhydhitkui-j/" style="text-decoration:underline;color:rgb(44,81,102);font-weight:normal;font-size:16px" target="_blank"&gt;conference website&lt;/a&gt;.&lt;/b&gt;</description>
      <link>http://www.culturalheritagelaw.org/events?eventId=662136&amp;EventViewMode=EventDetails</link>
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